This is indeed a fascinating piece, demanding brilliance, lyricism as well as a keen sense of dramatic structure. It is almost as if the original "questioning" voice were returning to speak at a greater length, which it does with increasing confidence, making more and more emphatic statements before leading back to the return of the opening section and on to the magnificent coda. In the B section, things become quieter and more contemplative. This exchange happens numerous times before we get to the vibrant flowing melody that is repeated with variation throughout the piece. The mysterious opening motif, so short and quiet that it's almost inaudible, is followed by a very loud, majestic statement. Chopin himself used the piece in his teaching and admonished his pupils to play the first measures in a manner that evoked the image of a mortuary. 2 in B-flat minor is especially notable for its sotto voce opening that seems to represent a kind of question and answer. Conversation with the dead.?Chopin's Scherzo No.
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